PAN pans the delay between the left and right, also known as ping-pong delay. Type: The are 3 delay types built into the TR-6S.

10 is a nice, thick reverb, whereas 0 is a very thin sound, however no less desirable depending on your taste or the context!

Density: As you can imagine, controls the density of the reverb.

HighCut removes frequencies above a chosen frequency.

This is useful to remove the muddiness that reverb can add to low-frequency instruments.

LowCut removes frequencies from the reverb below a chosen frequency.

Pre-Delay determines the amount of time between the dry sound and the reverb.

Level: Pretty self-explanatory, let’s set it to 255 so we can really hear what it’s doing.

Once you’re satisfied, press VALUE to confirm. Think of this as changing the size of the room you’re in.

Reverb Length changes the length of the reverb.

Reverb Type allows you to choose between AMBI, ROOM, HALL1, HALL2, PLATE, and MOD, all of which have their own characteristics.

Below is a quick overview of what each parameter does, remember to hit VALUE to confirm your selection for each parameter before moving on to the next. Then turn the VALUE knob until KIT:REVERB is displayed.

Okay so we’ve talked about how to send each track to the reverb, but how do we edit the reverb itself? Good question! Hold SHIFT and press KIT to bring up the master controls on the LCD screen.

Transient master fx